words and music
Nov. 25th, 2004 12:23 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
deviSo, dear readers, here are the ideas behind that genres poll I did last week.
It starts with something I thought would be a confession, a dangerous one of the sort liable to get me lynched or get objects lobbed at my head. Now the results are in, I feel a bit safer saying it. I like dance music.
Thing is, I also love indie music and (a lot of) goth music and all manner of verse-chorus-verse music, music with lyrics that make sense of life, and it doesn't even have to be well-sung or well-played, if the lyrics are good enough to carry it. I like music that's right next door to spoken word performance, where the music takes a back seat to the lyrics, but the lyrics are shiningly brilliant.
This makes perfect sense to me. Music is for different things, serves different functions. Dance music is for, well, dancing to, that sort of hypnotic wild trance-dancing that strips you of self-consciousness and daily worries and leaves you elated. (Hello![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
ultraruby!) And it's for spurring myself to work - I write faster and maybe better with a pulse of beat in the background, with slowly evolving melodies; lyrics are too distracting. It's music that provides a soundtrack for travelling at speed, or for travelling in your imagination. Music with guitars, by bands, with words, is for something else entirely. It's about that twinge in your heart when you hear a lyric that expresses something perfectly. It's music you live through and feel through, music that helps you explain things to yourself, music that puts you on an emotional rollercoaster from hope to misery and back, or that just helps you laugh at life. Music that provides a soundtrack for walking in the dark or standing moodily down in a tube station at midnight.
I couldn't do without either of these things, even though they're such different experiences it seems clumsy even to call them both 'music'. Fair enough, you say. Eclecticism is good. The poll results seem to bear that out.
But back at Dublin City University it was a different story. I didn't know any other eclectics who liked, say, Orbital as much as they liked Radiohead or the Smashing Pumpkins. You were a rocker or a raver, and the rockers and the ravers tore each other to bits in a perpetual scrap on the music boards of the BBS, and never the twain did meet.
And the divide seems to have persisted among my various groups of friends (or at least I thought it had until I did the poll). I've always felt like the lone advocate of electronica among a nation of trad-goths and indie-kids, and when I try to defend it, I'm told more often than not that it's chav music, stupid music, music for people with no brain cells. I reply that they're probably not listening to the right dance music, that it can have intelligence and complexity, that I like it with the same bit of my music brain that grew up on classical and for a lot of the same reasons (Pachelbel's 'Canon' has much the same effect on me as Orbital's 'The Girl With The Sun In Her Head'). But things remain the same: I have a yen to go to dance clubs and no one to go with.
And it looks like the whole world is going that way too. Alexis Petridis wrote recently in the Guardian that dance music is dead. (Though, if you read the article, I think I'm pleased that he says it's going back underground. I'd prefer little underground scenes to great big impersonal superclubs any day.)
So my poll had several purposes. Firstly, to see if the rocker/raver divide still exists, and to find other eclectics. Pleasingly, there are quite a few of you.
Secondly, to see if my flist was actually as anti-dance as I thought, and it's true that the indie/rock/etc people - those of you who chose no dance at all - vastly outnumber the eclectics and the dance-only folk. But there are more of the latter two types than I'd been expecting.
Thirdly, I wanted to investigate my half-formed hunch that people who liked dance would get along with classical, and vice versa. This wasn't borne out at all. In fact, it was the indie/goth/rock folk who tended to like classical, rather than the other lot. I guess I'm on my own there, then.
There's another post bubbling under in my brain, about what clubbing is for, but that's for another day. Thank you all for ticking the tickyboxes.
It starts with something I thought would be a confession, a dangerous one of the sort liable to get me lynched or get objects lobbed at my head. Now the results are in, I feel a bit safer saying it. I like dance music.
Thing is, I also love indie music and (a lot of) goth music and all manner of verse-chorus-verse music, music with lyrics that make sense of life, and it doesn't even have to be well-sung or well-played, if the lyrics are good enough to carry it. I like music that's right next door to spoken word performance, where the music takes a back seat to the lyrics, but the lyrics are shiningly brilliant.
This makes perfect sense to me. Music is for different things, serves different functions. Dance music is for, well, dancing to, that sort of hypnotic wild trance-dancing that strips you of self-consciousness and daily worries and leaves you elated. (Hello
ultraruby!) And it's for spurring myself to work - I write faster and maybe better with a pulse of beat in the background, with slowly evolving melodies; lyrics are too distracting. It's music that provides a soundtrack for travelling at speed, or for travelling in your imagination. Music with guitars, by bands, with words, is for something else entirely. It's about that twinge in your heart when you hear a lyric that expresses something perfectly. It's music you live through and feel through, music that helps you explain things to yourself, music that puts you on an emotional rollercoaster from hope to misery and back, or that just helps you laugh at life. Music that provides a soundtrack for walking in the dark or standing moodily down in a tube station at midnight. I couldn't do without either of these things, even though they're such different experiences it seems clumsy even to call them both 'music'. Fair enough, you say. Eclecticism is good. The poll results seem to bear that out.
But back at Dublin City University it was a different story. I didn't know any other eclectics who liked, say, Orbital as much as they liked Radiohead or the Smashing Pumpkins. You were a rocker or a raver, and the rockers and the ravers tore each other to bits in a perpetual scrap on the music boards of the BBS, and never the twain did meet.
And the divide seems to have persisted among my various groups of friends (or at least I thought it had until I did the poll). I've always felt like the lone advocate of electronica among a nation of trad-goths and indie-kids, and when I try to defend it, I'm told more often than not that it's chav music, stupid music, music for people with no brain cells. I reply that they're probably not listening to the right dance music, that it can have intelligence and complexity, that I like it with the same bit of my music brain that grew up on classical and for a lot of the same reasons (Pachelbel's 'Canon' has much the same effect on me as Orbital's 'The Girl With The Sun In Her Head'). But things remain the same: I have a yen to go to dance clubs and no one to go with.
And it looks like the whole world is going that way too. Alexis Petridis wrote recently in the Guardian that dance music is dead. (Though, if you read the article, I think I'm pleased that he says it's going back underground. I'd prefer little underground scenes to great big impersonal superclubs any day.)
So my poll had several purposes. Firstly, to see if the rocker/raver divide still exists, and to find other eclectics. Pleasingly, there are quite a few of you.
Secondly, to see if my flist was actually as anti-dance as I thought, and it's true that the indie/rock/etc people - those of you who chose no dance at all - vastly outnumber the eclectics and the dance-only folk. But there are more of the latter two types than I'd been expecting.
Thirdly, I wanted to investigate my half-formed hunch that people who liked dance would get along with classical, and vice versa. This wasn't borne out at all. In fact, it was the indie/goth/rock folk who tended to like classical, rather than the other lot. I guess I'm on my own there, then.
There's another post bubbling under in my brain, about what clubbing is for, but that's for another day. Thank you all for ticking the tickyboxes.
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no subject
Date: 2004-11-25 05:08 am (UTC)no subject
Date: 2004-11-25 05:18 am (UTC)no subject
Date: 2004-11-25 05:33 am (UTC)no subject
Date: 2004-11-25 06:25 am (UTC)Away from Kompakt itself, Akufen does cut up glitchy sample which you can actually dance to. His Psychometry III is one of the standouts on Immer. One album: My Way, which can get a bit relentless, but is exceedingly good in small doses.
Jan Jelinek makes similarish stuff, only a lot gentler, as well as doing much more obviously house stuff under the pseudonym Farben.
Luomo aka Vadislav Delay: ultra glossy, warm, throbbing house, with intricately layered vocals. Listening to it on headphones can be like sitting inside the vocalists' heads, such is the craft applied to recording the sounds of individual sub-vocalisations. Two albums: Vocalcity and The Present Lover.
Rex The Dog: remixing everyone at the moment. Techy electro-house, very pop, lots of fun. His own Frequency/Look Up Into The Sky and the remix of the Knife's Heartbeats are easy to find atm, and both stellar.
Tiefschwarz: electro-house remixers, who sail close-ish to EBM occasionally. Only with more fuzzed up pads and better beats, obv ;-) Their Misch Masch double CD compilation is out now, and is worth anyone's 12 quid.
Archigram: french maximalist filtered house. On Padre, his newish single, he does that mad fairground groove thing the Fall did in the early eighties, only welded to a beat that gradually changes from skittery hiphop to stomping house. His Carnivale single from two years ago induced a fit of airguitaring in the editor of Freaky Trigger.
I could go on, but I'd better stop here before I fill up your comments with bad descriptions of dance music. If you've got a gmail account and want some mp3s just shout and I will send you some.
no subject
Date: 2004-11-25 06:31 am (UTC)